| Company Name | Company Mission | Year Founded |
| (re:)Directions Theatre | Presenting established scripts in new and innovative ways, as well as develop new works by artists whose voices inspire them. | 2006 |
| 13P | Full productions of new American plays. | 2003 |
| 13th Street Rep | A place where actors, directors, writers and technicians can develop their craft in a nuturing environment. | 1972 |
| 3Graces Theatre Co. | To explore the power of women's experiences through theater. | 2004 |
| 59E59 | Presents Off-Broadway theater by non-profit companies from across the United States and world. Festivals include Brits Off Broadway and East to Edenburgh. | 2002 |
| Abingdon Theatre Company | To develop and produce new plays by American playwrights. | 1993 |
| Accidental Repertory Theater | There is life and truth in art. | -- |
| Aisling Arts | To present plays with dreamlike qualities that emerge from the collective psyche of the ensemble. | 2001 |
| Alchemy Theatre Company | To challenge the perceived truth and values of our time. | -- |
| American Globe Theatre | To stage innovative productions of classical plays. | 1989 |
| Amnesia Wars | A long-form improvisation company. | -- |
| anna&meredith | To create original work that unites the most compelling elements of dance, theater, and devised performance. | -- |
| Art Party Theater Company | Bold performance that engages the creativity of an audacious audience. | 2008 |
| Asteroid B612 Theatre Company | Formed to vent untold stories and to reinvigorate the known stories | 2006 |
| At Hand Theatre Company | To produce original work using sustainable means. | 2007 |
| Audax Theatre Company | "Life can be bold. Theater must be." | 2000 |
| Banana Bag & Bodice | To redefine the traditional idea of performance through using original text, music and design. | 1999 |
| Barefoot Theatre Company | Founded by a group of multicultural artists wishing to produce thought-provoking theater, old and new. | 1999 |
| Big Art Group | Using language and media to push the boundaries of theater, film and visual arts, Big Art Group uses original text and technology to create culturally transgressive works. | 1999 |
| Black Henna Productions, Ltd. | A theater company created in the image of Shakespeare's globe, where every company member would collaborate on writing, directing, designing and acting in productions. | 2003 |
| Blessed Unrest | Theater for the adventurous. | 2000 |
| Blue Coyote Theater Company | To produce new American plays by new American playwrights, at the Access Theater. | 2000 |
| bluemouth, inc. | Five artists trained in various disciplines determined to forge a new language. | 1998 |
| Boomerang Theatre Company | To produce new, classic and negelcted plays that add to the theatrical canon. | 1999 |
| Breedingground Productions | Independent artists working together in all disciplines. | 2000 |
| BrooklynONEtheater | To broaden the scope of the arts in Brooklyn through new, bold and alternative experimental works. | 2006 |
| Cagey Productions | To create opportunities for emerging theater artists. | 1996 |
| Cannery Works | Nurtures early career artists and introduces their work to a wider audience. | 2002 |
| Ciona Taylor Productions | To provide the very best entertainment by creating original programs in dance, theatre, film, television and performance art. | 2006 |
| Clancy Productions | A touring and producing organization that specializes in high-energy, bare-bones, intellectualy engaging contemporary American theater. | 2003 |
| Clubbed Thumb | Commissions, develops and produces funny, strange and provocative new plays by living American writers. | 1996 |
| Coffee Cup Theatre | Develops, writes and performs original, actor-driven theatre. | 2004 |
| CollaborationTown | Work presented presentationally, with self-depricating humor; hi-tech theater on a lo-tech budget. Everything created through collaboration. | -- |
| Company XIV | A mixed-media dance/theater company based in Brooklyn. | 2006 |
| Counting Squares Theatre | A grass roots ensemble company that creates theater to entertain and reflect the issues, struggles and joys of the community. | -- |
| Coyote REP Theatre Company | Collaborative development of original work that investigates what is mystical and extraordinary in the every day. | 2005 |
| Crossing Jamaica Avenue | A multi-disciplinary, multicultural theater company that produces new plays, re-imaginings of classics, and a hybrid theater form that merges stories and poetry with music and movement. | -- |
| Curious Frog Theatre | To present new, modern and classical works through a multicultural perspective with non-traditional casting. | -- |
| Dangerous Ground Productions | Creates multimedia theater | 2001 |
| Desipina & Company | A fusion arts company focusing in film and theatre and are firmly dedicated to promoting cross-pollinations of artistic, political, and cultural dialogues. | -- |
| Diverse City Theater Co. | An artist-driven, independent company whose purpose is to commission original plays that explore social, cultural, lifestyle and demographic diversity issues. | 2003 |
| Dixon Place | To support the development of new works and works in progress and to build audiences for these works. | 1986 |
| DM Theatrics | Creating theater for audiences, not agents or academics | 1999 |
| Downtown Art | Collaborates with teen actors, writers, composers and musicians to create original music and theater events. | -- |
| Duel Theatre | An ensemble of artists and entrepreneurs | -- |
| Dysfunctional Theatre Company | A collective dedicated to producing ensemble works that challenge the status quo without taking themselves too seriously. | 1997 |
| Dzieci Theatre | An international experimental theatre ensemble dedicated to a search for the "sacred" within the medium of theatre. | -- |
| E Phoenix Idealis Theater, Inc. | A group which came together over common ideals of what theatre is and can be, of what theatre does and can do. | -- |
| East Coast Artists | A professional ensemble dedicated to boldly re-inventing classic texts. | 1992 |
| East River Commedia | A group of international artists who collaborate on the production and development of ensemble-based performance works and festivals in New York City and abroad. | -- |
| Electric Pear Productions | Cultivates, backs and presents original and persuasive theatrical endeavors. | 2006 |
| Elephant Larry | A five-man sketch group based in New York City | -- |
| Elixir Productions | Develops plays and performances about gender, sexuality and the impact of sexual identity on society, human relationships and the self. | -- |
| Emerging Artists Theatre Company | To provide a dynamic home for emerging artists and writers, provide the opportunity for collaboration, and provide artists with the development process, from idea to production. | -- |
| EndTimes Productions | An independent theater/film production company. | 2006 |
| Evolve Company | Creating theatre and puppetry. | 1996 |
| First Light Theater Group | To develop and produce original works that tell authentic stories with characters that illuminate the ever-changing social climate oftoday's multi-cultural society. | 2008 |
| Flux Theatre | Flux creates seasons with an underlining theme that unites work that is character-driven, globally engaged and uniquely theatrical. | 2006 |
| Fork YES! | An "Arts Entity," making theatre, music-theatre, poetry and visual art composed of word, action, spirit, image and idea. | -- |
| Freedom Train Productions | An incubator for the making and performance of black queer themed plays. | 2006 |
| Frog & Peach Theatre Company | To perform Shakespeare's plays with the language setting the style, without concept, and with the running time of a film. | -- |
| Gorilla Rep | Provide the highest quality productions of classical dramatic material with contemporary immediacy for free. | 1992 |
| Haberdasher Theatre | Free expression and creative thought by presenting edgy and inventive theatre that will reawaken the ardor for live theater, both as art and as entertainment. | 2006 |
| Handcart Ensemble | Devoted to bringing new life to literary masterworks by combining bold, inventive staging with language-rich translations, adaptations and classically inspired new works. | 1999 |
| HERE | To build a community that nurtures career artists as they create innovative hybrid live performance in theatre, dance, music, puppetry and visual art. | 1993 |
| Horse Trade Theatre Group | To seek out new art, new artists and new audiences to create an accessible community of varied voices that values collaboration, resourcefulness and innovation. | 1998 |
| Hudson Exploited Theatre Company | Committed to producing theater on both sides of the Hudson River and expanding the notion of what is "American." | 1999 |
| Hudson Warehouse | To present the classics in exciting productions inspired by the past and relevant to the present. | 2004 |
| Immigrants Theatre Company | Presents traditional and experimental plays by and about immigrants to the United States and worldwide. | 1988 |
| Impetuous Theater Group | Dedicated to producing new work in New York with emerging artists through ensemble, creation of family and education. | 2004 |
| Inertia Productions, Inc. | To "evolutionize" the world of contemporary American theatrical storytelling in order to illuminate our community's empathetic understanding of the human condition. | 1997 |
| InProximity Theatre Company | To tell gripping stories riddled with raw honest truth. | -- |
| International Culture Lab | A performing arts organization dedicated to providing opportunities for artists from across the world to explore contemporary issues through jointly created projects. | -- |
| International WOW Company | A film and theater company that works closely with actors and non actors from diverse cultural backgrounds, including members of the US Military, activist communities in sustainable energy and design and actors, dancers, designers and filmmakers from around the world to create new work that addresses current national and global social and political crises. | 1996 |
| Inverse Theater Company | To create, produce, and distribute new American verse plays | 1998 |
| Invisible City Theater Company | Dedicated to discovering, developing and producing new works for the stage. | 2002 |
| Irondale Ensemble | Through the power of the ensemble process, Irondale creates and presents theater, performance and educational programs that challenge traditional assumptions about art, and help us to better understand today's challenging world. | 1983 |
| IRT | A grassroots theater development laboratory providing space, support and community for independent artists. | 1986 |
| Jackson Repertory Theatre | Produces relevant and entertaining theatre for the diverse audiences of Jackson Heights and Western Queens. | 2008 |
| Just ASK Productions | Harnesses the power of a collaborative spirit to produce re-energized and addictive theater for its community. | 2008 |
| Kaliyuga Arts | Theater is one of the few remaining places on Earth where people still gather to celebrate, affirm and uphold everything that makes us human. | 1986 |
| Kids with Guns | Creates and presents new works about life, love, and artistic pursuit in the greatest city in the world. | 2004 |
| La MaMa E.T.C. | Dedicated to the theater and its artists. | 1961 |
| Looking Glass Theatre | To create a community of artistic freedom from the pressure to be commerical, from gender expectations and from judgement. | 1993 |
| Lucky Productions | To produce new works in New York City | 2008 |
| Magnet Theater | An improvisational comedy theater and improv school in New York City. | 2005 |
| Mainspring Collective | Focuses on the creation and interpretation of honest work. | 2007 |
| Maiuetic Theater Works | An award-winning company that premieres distinctive new plays. | 2006 |
| Manhattan Repertory Theatre | A forum for playwrights, directors and actors to share and explore their craft. | -- |
| Medicine Show Theatre | Dedicated to offering creative alternatives to conventional theatre by creating and presenting works that experiment with languge, music, movement, form and ideas, and meld the strengths of theatrical tradition with innovation. | -- |
| Mergatroyd Productions | A New York City based media company working primarily in theatre and online video. | -- |
| Metropolitan Playhouse | Produces early American plays, new plays drawn from American culture and history, and plays from around the world that resonate with the American canon. | 1992 |
| Mind The Gap Theatre | To produce new British theater in New YorkCity | -- |
| Misfit Toys Repertory Company | To give actors a chance to try out roles and opportunities that are too often limited by the beliefs of others in and about us. | -- |
| Musicals Tonight! | Dedicated to the revival of neglected musicals in a manner affordable to most audience members. | 1998 |
| Narrows Community Theater | Offers opportunities to learn stage craft, musical theater performance, acting technique, dance, team work and the business of show business to the public. | -- |
| National Asian American Theatre Company | To assert the presence and significance of Asian American theatre in the United States | 1989 |
| National Theatre of the United States of America | To collaboratively conceive, build and execute spectacular works of theater through the dedicated convergence of our ideas, aesthetics, skills and passions. | 2000 |
| New Federal Theatre | Specializes in minority drama, providing emerging playwrights with the opportunity to have their works produced. | 1970 |
| New Georges | Produces ambitiously theatrical new plays downtown | 1992 |
| New Perspectives Theatre Company | To develop and present new plays and playwrights, particularly women and people of color, to present classic plays in a style that sheds new light on our lives and work, and to present theatre to under-served audiences-especially young people-to build life skills and promote participation in our society. | 1991 |
| New York Classical Theatre | To reinvigorate and create audiences for the theater by presenting free productions of classics in non-traditional spaces throughout New York City. | -- |
| New York Downtown Clown | To explore the art of clowning. | -- |
| New York Neo-Classical Ensemble | Devoted to creating defiantly theatrical, textually dynamic productions of classic plays. | 2006 |
| New York Neo-Futurists | Creates non-illusory, interactive theater that is immediate, unreproducable, and a fusion of sport, poetry and living-newspaper. | 1988 |
| New York Theatre Experiment | Develop and produce works of theatre that expose the complexity of the human condition and invite audiences to more deeply examine themselves and their world. | 2004 |
| Nicu's Spoon | Eclectic, raw, risky, multi-racial, multi-cultural, multi-abled, multi-voiced creators of new performance styles filled with strong vision about art and creation and who we are in relation to the world at large | 2001 |
| No.11 Productions | Theatre of the unexpected. | 2008 |
| Nosedive Productions | To produce plays that push the proverbial envelope. | 1999 |
| NY Artists Unlimited | To take professional theatre to under-served audiences. | 1982 |
| Oberon Theatre Ensemble | To combine classic, contemporary and new works in a format that allows each to highlight and enchance the other. | 1997 |
| One Year Lease | An ensemble theater company that creates new, contemporary productions out of ancient myths and old stories. | -- |
| Ontological-Hysteric Theatre | To strip the theater bare of everything but the singular and essential impulse to stage the static tenson of interpersonal relations in space. | 1968 |
| Oracle Theatre, Inc. | To better educate the community about various cultures through storytelling. | 2001 |
| Pack of Others | A theater company, to create original works of theater. | -- |
| Packawallop Productions | To create visually charged original productions of new plays that spotlight cultural and sexual identity. | -- |
| Pan Asian Repertory Theatre | Founded to provide a forum for Asian American artists to participate in American Theater. | -- |
| Panoply Performance Laboratory | A performance co-operative that encourages mass participation in the distribution of genealogies, socio-political structures and experiemnt with performance as a mode of transmission. | 2004 |
| Parallel Exit | To create moments of simple magic for audiences of all ages by blending theater, dance and music into works of physical theater. | 1997 |
| Partial Comfort Productions | To create a nurturing and creatively stimulating environment for its members. | 2001 |
| Peculiar Works | To create fresh, intelligent performance that is accessible and funfor diverse audiences. | 1993 |
| Peoples Theatre Project | Aims to empower all residents of Northern Manhattan to become artists and activists in their own lives and the life of their community. | 2008 |
| Performance Lab 115 | An actor-driven experimental theater company dedicated to creating works that explore the depth and fragility of human connection. | 2003 |
| Personal Space Theatrics | To serve a curious and passionate audience by fundamentally changing the way they experience theatre. | -- |
| Phoenix Theatre Ensemble | Plays new and old that tell great stories revealing humanity and the human condition in all its forms. | -- |
| Pinchbottom | A production company which produces themed & scripted burlesque shows in New York City | -- |
| Piper McKenzie Productions | A DIY outlet to create dangerously effervescent theatrical art. | 1998 |
| Point Of You Productions | An audience needs to hear stories that pose important, thought provoking questions about what drives them to act the way they do in their daily lives. | 2001 |
| Polybe and Seats | To produce new plays and collaboratively developed work that experiments with images, language, structure, and storytelling | 2001 |
| Project Y Theatre | Produces theatre that explores the darker side of humanity in order to identify and celebrate its moments of beauty, humor, and hope. | 1999 |
| Prospect Theater Company | To connect communities of artists and audiences to each other and to theatrical history by re-interpreting classic plays and musicals, and to use these connections to collaboratively create new works. | 1998 |
| proto-type | To create original works that are diverse in scale, subject and medium, Proto-type is currently exploring the distributed narrative, city as source/site and the nature of love and death. | 1997 |
| Push Productions | To create ensemble theatrical presentations that promote social awareness. | 1999 |
| QED Productions | Creates smart, engaging theatre for a sophisticated audience – the sort of theatre that asks hard questions, presents emotional and intellectual challenges, and always entertains. | 2005 |
| Queen's Company | An all-female classical theater company. | -- |
| Rabbit Hole Ensemble | Emphasizes the communal nature of theatre through a distinctly minimalist aesthetic that focuses on space, audience, and the performer (especially their basic tools of physicality and voice) to produce a uniquely direct and candid experience. | 2005 |
| RADIOTHEATRE | Inspired by the artistry created during the Golden Years of Radio when SOUND was king and STORY TELLING, along with great voices, music and sound effects…as well as, the individual imaginations of its audiences | 2004 |
| Rapscallion Theatre Collective | To evoke change, educate, and learn through a journey of performance art | 2007 |
| Red Fern Theatre Company | Strives to provoke social awareness and change through theatrical productions and outreach | 2006 |
| Republic Theater Company | A New York-based performing arts institution committed to ensemble collaboration and artistic risk. | -- |
| Resonance Ensemble | Dedicated to producing groups of related theatrical presentations that resonate across countless times and cultures and confront universal themes and ideas significant to audiences of today. | 2001 |
| Retro Productions | To present works of retro theatre. Retro is defined as "involving, relating to, or reminiscent of things past (American Heritage Dictionary). | 2005 |
| Reverie Productions | A not-for-profit theatre devoted solely to developing playwrights and producing new plays dealing with contemporary socio-political issues. | 1998 |
| Rising Circle Theater Collective | Dedicated to broadening the scope of storytelling on the American stage by providing an artistic home for artists or color. | 2000 |
| Rising Phoenix Repertory | Rising Phoenix rediscovers the craft of a raw and vital living theater by learning from the traditions of the past and teachings of the present. | 1999 |
| Rising Sun Production Company | To advance the vitality and diversity of American theater by nurturing artists, encouraging repeatable creative relationships, and contributing new works and revitalized pre-existing work to the national canon. | 2001 |
| Roust Theatre Company | Dedicated to radical and epoch making theater. Aim is to challenge and inspire an audience. | -- |
| Ryan Repertory Company | To create a center for development of new and original theatrical events that celebrate the ethnic diversity of the community. | 1972 |
| SALAAM Theatre | SALAAM is a professional multidisciplinary theatre company celebrating South Asian American artistic excellence through creative risk-taking and experimentation that challenges all boundaries, connects all peoples and links all forms of creative expression in the spirit of progressive solidarity. | 2000 |
| Shalimar Productions | Collaborative new plays that are vital and relevant to a young generation | 2004 |
| Six Figures Theatre Company | To provide opportunities for women theater artists, developingquality theatrical work by women and other underrepresented artists and ensuring that the community is aware of the opportunity to hear these voices and see the work. | 1990 |
| Slant Theatre Project | A group of artists that thrive on the danger of building the plane in flight. | 2004 |
| Small Pond Entertainment | To educate performing artists about the business of a production from development to performance. | 2002 |
| Soho Rep | To develop and produce contemporary theater while nurturing innovative and uncompromising new work from conception to production. | 1975 |
| Soho Think Tank | To nurture, strengthen and promote an aesthetically and culturally diverse community of independent theater artists and companys by producing, presenting andprogramming new work. | 1994 |
| Sponsored by Nobody | To develop original work that is relevent to contemporary America. | 2005 |
| StageLeft Studio | Founded by Cheryl King as a venue for solo productions, it has presented over 300 of them since 2005. | 2005 |
| Stolen Chair Theatre Company | A theatre laboratory dedicated to the creation of playfully intellectual, wickedly irreverent and exuberantly athletic original works. | 2002 |
| Stone Soup Theatre Arts | To produce quality theater that deals with contemporary social issues affecting different cultural backgrounds. | -- |
| Storm Theatre | A theater company devoted to creating a meaningful impact on the lives of the people who came to its productions. | 1997 |
| Strudel Productions | Focused on the revival of small-scale theatrical productions and the introduction of new and upcoming screenplays. | 2010 |
| Studio 42 | To foster and cultivate new works of audactiy and risk, works that keep our fast-paced, technological society and respond to it with warmth and imagination. | 2001 |
| Studio Six | An ensemble-based theater company, born out of the Moscow Art Theater School. | 2005 |
| Subjective Theatre Company | Dedicated to producing a wide range of politically and socially relevant theatre at no cost to the public. | 2001 |
| Superhero Clubhouse | A society of theater artists engaged in making original plays and events about the natural world via a green and collaborative process. | 2007 |
| Target Margin Theatre | To expand the conception of what can take place in a theater through re-imagined versions of the classics and new creations inspired by existing sources. | 1991 |
| Temporary Distortion | To push the boundaries of theater by staging unsettling, meditative performances in claustrophobic, boxlike structures. | 2002 |
| Ten Directions | To tell stories that pose questions to the audience, collaborating artists and themselves. Focuses on engaging and entertaining audiences. | -- |
| Terra Nova Collective | A playground for artists devoted to innovative new and original theatrical works. | -- |
| The Amoralists | A theater company that produces work of no moral judgement, with an honest expression of the American condition. An actor-driven ensemble explores the complex characters of moral ambiguity. | -- |
| The Assembly | to realize a visceral and intelligent theater for a new generation | 2008 |
| The BE Company | To tell stories that investigate the human condition and explore the lives of the unexamined. | -- |
| The Brick Theater | To present world premieres, monthly performance series', and seasonal festivals to expand Williamsburg, Brooklyn's profile as a destination for cutting-edge art and entertainment. | 2002 |
| The Bridge Theatre Company | A New York City-based company that produces, workshops and champions new Canadian work. | 2004 |
| The Bushwick Starr | A full-scale non-profit performance venue and presenting organization dedicated to bringing a continuum of art and artists to Bushwick. | 2001 |
| The Chocolate Factory Theatre | Supports the creation of new work in a variety of disciplines, with a 5,000 square foot facility. | 2005 |
| The CollectiveNY | To provide a network and a place where actors and graduates of the William Esper Studio can showcase their talent. | 2007 |
| The Committee Theatre | To "restructure worlds and make living people feelstuff." | -- |
| The Debate Society | New plays through the collaboration of Hannah Bos, Paul Thureen and Oliver Butler. | 2004 |
| The Dreamscape Theatre | To reimagine the shared narratives of the past, present and future through the inventive theatricality and creative collaboration of a diverse ensemble of artists. | 2002 |
| The Flea Theater | To present distinctive workthat raises the standards of Off-Off-Broadway for artists and audiences alike. | 1996 |
| The Foolish Theatre Company | To develop and produce theatrical comedies in all forms. | 2004 |
| The Gallery Players | To provide the Brooklyn community with professional-quality theater at an affordable cost. | 1967 |
| The Guerrilla Shakespeare Project | GSP fosters a vibrating, passionate, viseral connection between actor and audience to make inventive and immediate American theater from classical works. | 2005 |
| the intentional theatre group | A continually-shifting, porject-based collaborative company of artists who share the belief that vital theatre happens in the space between the audience and the stage. | -- |
| The Internationalists | A collective of directors from around the world whose mission is to create open, sustainable and interactive global theatrical community. | 2007 |
| The Living Theatre | To create an imaginative alternative to the commerical theater. | 1947 |
| The Management | A haven for a community of artists and patrons to experience relevent, moving, unpretentious, aesthetically and financially accessible theater. | 2004 |
| The Nerve Tank | Combines elements of popular culture, media, image and physical presence to test lines of engagement between spectator and live event. | 2006 |
| The Pumpkin Pie Show | A rigorous storytelling session created by Clay McLeod Chapman | -- |
| The Roundtable Ensemble | Produces humanist theater in New York City | -- |
| The Seeing Place Theater | Forceful storytelling that expresses real behavior in this day and age. | -- |
| The Talking Band | Radical collaborations that make unpredictable, richly textured music-theater works while exploring the meeting point of text and music. | 1975 |
| The Tank | A non-profit space for performing arts emphasizing new work by emerging performers,designers, writers, directors and producers. | -- |
| The Wild Project | The Wild Project is a venue and production company for theater, film and visual art using green technologies. | 2007 |
| Theater Askew | A "queer theater" company that produces work that stands outside of, rejects or challenges mainstream consumerist models. | 2004 |
| Theater for the New City | Known for radical plays and community commitment. | 1971 |
| Theater Mitu | A permanent group of collaborators that methodically experiments with theatrical form. | 1997 |
| Theater Ten Ten | To produce classic and contemporary plays and musicals. | 1955 |
| Theatre Breaking Through Barriers | To produce plays featuring a company of visually impared and disabled actors. | 1985 |
| Theatre C | To create vibrant theatre through the unexpected fusion of disparate art forms. | 2009 |
| Theatre Han | To be the bridge that connects diverse cultures on stage, as well as to produce rarely seen foreign (and especially Asian) plays for American audiences. | 2009 |
| Theatre Lila | To create provocative choreographic theater that arouses an audience, and stimulates awareness, compassion, and change. | 2004 |
| Theatre of the Expendable | To develop and produce plays that ask the audience how people become expendible. | -- |
| Theatrelab | This is a performance venue, presenting organization, and a producer of original works. | -- |
| TheDrillingCompaNY | Discovers, develops and produces new works by emerging American playwrights that represent a diverse community of ideas and cultures. Produces Shakespeare in the Parking Lot every summer. | 1999 |
| Thespian Production | Producing plays in small to medium-sized venues. | -- |
| tongue in cheek theater | Dedicated to producing seriously funny theater. | -- |
| Unity Stage | Serves the community of Western Queens through Off-Off Broadway theater, children's theater, and after-school performing arts programs. | 2009 |
| Untitled Theatre Company # 61 | Theater of ideas: scientific, political, philosophical, and theatrical | 1992 |
| Vampire Cowboys Theatre Company | A "Geek Theater" company which produces work in the style and aesthetic of comic books. | 2000 |
| Variations Theatre Group | To provide emerging artists with the opportunity of working on Modern American Classics and original work. | 2010 |
| Vital Theatre Company | Shared theatrical experiences have a profound effect on people's lives. "If one adult is inspired, if one child’s imagination is awakened, if one student is empowered, Our theatre is important and vital." | 1999 |
| Vortex Theater | To create and produce classical theater reconstructed for new audiences. | 1983 |
| Waterwell | To create new theater that entertains and enlightens. | 2002 |
| WET Productions | To empower women and girls by producing media that challenges female sterotypes and advocates for equality. | 1999 |
| White Horse Theater Company | Producing and developing American plays to investigate the American culture. | 2003 |
| Wide Eyed Productions | Risk-taking, relevant theater through new works and revivals of classics. | 2007 |
| woken'glacier theatre company | International theater artists creating new and introducing unfamilar theater pieces which expose abuse in our world. | 2002 |
| Woodshed Collective | Installation theater presented free of charge to the public. | 2002 |
| Working Man's Clothes Productions | To develop and produce theater by supporting new works and new talent that will incite an evolution within modern theater | 2005 |
| WorkShop Theatre Company | To develop new works and provide a home for writers from inception to production. | 1994 |
| Wreckio Ensemble | Wreckio produces original and innovative works on social issues through movement. | 2000 |
| Xoregos Performing Company | To explore in production classical theater, new works, premieres, old dances and poetry. | -- |
| York Shakespeare Company | Bringing Shakespeare's work (and assorted other classics) to life in the Actor-Manager system and a resident acting company. | 2001 |
| Zootopia Theatre Co. | To produce new, original works that capture life today. Storytelling is key, and script submissions are actively accepted. | -- |