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FringeNYC 2013: The Story Tellers

The Story Tellers

The Storytellers brings to life stories by some of the greatest masters of suspense, such as Edgar Allan Poe, Saki, Robert W. Service, and W. W. Jacobs, through mask, song, movement, and much more.

Show details/ticketing at FringeNYC
Venue: CSV Flamboyan, 107 Suffolk Street

Review by Richard Hinojosa · August 10, 2013

Fans of storytelling may well enjoy this production.  It takes three macabre short stories, and one narrative poem, and adapts them for the stage in a way that is both interesting and entertaining. 

The evening opens quite appropriately with The Storyteller, a short story from British writer Hector Hugh Munro, better known by his pen name Saki.  The story centers around three rambunctious youngsters who cannot be appeased by their aunt’s moralistic story.  In steps a man who tells them another story that not only holds their attention but also tears down the righteous story told by the aunt. The next story is The Toll House penned in 1909 by W.W. Jacobs.  It centers on a group of men who get more than they bargained for when they decide to explore a supposedly haunted house. The next one is a very enjoyable musical adaptation of Robert Service’s famous 1907 poem The Cremation of Sam Mcgee.  The final story, and certainly the most well known, is Edgar Allan Poe’s The Tell-Tale Heart

Adaptor/Director Abigail Strange does a great job creating a spooky atmosphere and makes good use of the three quarter surround stage.  The set is suitably spare having only four footlockers and some electric candles leaving the stage open to some great movement.  I had some trouble hearing the dialogue over the air conditioner throughout the piece and, specifically, over the guitar in The Cremation of Sam Mcgee.  Strange may want to have her cast project a little more if they’re going to keep the AC running.  Strange’s adaptations stay true to their original stories and she highlights the themes of the stories very well.  In the first two stories she divides narration lines among the cast and while I can understand why she would want to utilize the whole cast in this way, it left me feeling disengaged from the story.  I think there’s a lot to be said for a single narrator guiding the listeners through the plot.

Louis Aquiler (who is also a cast member) composes a beautiful original score for the production.  I really enjoyed the light strumming of a guitar that underlined the first story without being intrusive at all.  The music he creates for the telling of The Cremation of Sam Mcgee is fantastic!  I loved the guitar, the ukulele and the use of the footlockers as drums.  I am very familiar with this story and I really liked what they did with it.  Like many others, I am also very familiar with The Tell-Tale Heart.  Ensemble member Kristin Nemecek recites the story at a breakneck pace.  Her performance is quite accomplished though she may try slowing down a little and taking her time with it. Much of the darkness of the story comes through in the narrator’s constant struggle to claim sanity and that was lost in this recounting.

The rest of the cast, Tyler Gattoni, Patrick Harman, Christopher Wentworth and Bethany NcNamara, do a great job with their various roles.  The cast certainly has great chemistry and they worked as single unit.  I was impressed with their dedication to the material and their characters.

Where this production fails in some ways to draw in the listener it succeeds in creating an eerie ambiance throughout the evening.  Fans of storytelling and the macabre should make a point to catch this one. 

Preview: Interviews with Artists from The Story Tellers

We're asking artists from each show to answer questions about themselves and their work to help our readers get a detailed advance picture of the festival:

All About My Show · abigailstrange (Director)

  1. Complete this sentence: My show is the only one in FringeNYC that...?
    utilizes original music, masks, and a great ensemble all in one. Additionally, it is the only show that creates haunted houses, magical forests, crematoriums, and more with the use of 4 trunks and 6 actors.
  2. What do you think this show is about? What will audiences take away with them after seeing it?
    THE STORYTELLERS is about thrilling tales of murder and mystery that spiral into reality. It reminds audiences that great stories are just that because they jump off the page and transport you to a new world.
  3. Who are some of the people who helped you create this show, and what were their important contributions to the finished product?
    Two years ago I directed a production called FIRESIDE THEATRE as an emerging artist with Royal Family Productions, initially adapted by Chris Henry. From that production I did further adaptations splitting the parts up for 4 actors and added the concept of masks. For the most recent production of THE STORYTELLERS I have taken that concept but further developed it, changed out the stories for new ones that I feel better serve the dramatic structure, and made the piece an ensemble of 6. Louis Aquiler, one of the performers, has been a collaborator on both pieces, having written original music for "The Cremation of Sam McGee".
  4. Tell us about the process you used to achieve your vision of this play in this production.
    The process began with researching which stories to use, this consisted of reading many, many public domain stories. I had many versions of the script with various concepts and stories before I settled on these four. Then came various attempts of the order. Once these pieces had been settled the conceptualizing of how to tell these stories came into play. There was a lot of decision making on where the masks fit and why and how to handle the constantly changing locations with so many limits. Then came casting and then rehearsals in which I change and adapt these ideas with the collaboration of my actors. We are now at the stage of bringing to life this long-thougout vision.
  5. Are there any cautions or warnings you’d like to make about the show (e.g., not appropriate for little kids)?
    The show is generally appropriate for all ages. There are some, hopefully, creepy parts but everything is created right in front of you through the actors. I also want to note that the stories are all adapted and are not original works.

Read more All About My Show previews!